Original Articles

Myth, sacred place, sacred time, Bakhtiar Ali, the city of white musicians, parwana's sunset, the last pomegranate in the world.

  • بڵاو کرایەوە 2025-07-15
  • ژمارە بەرگ 3 ژمارە 2 (2020): Volume 3 - Issue 2
  • DOI ناسێنەری سەرچاوە دیجیتاڵییەکان https://doi.org/10.31918/twejer.2032.16
  • Sana Hassan Hussein Department of Persian Language and Literature, College of Languages, Salahaddin University _ Erbil Author

DOI ناسێنەری سەرچاوە دیجیتاڵییەکان:

https://doi.org/10.31918/twejer.2032.16

کلیلە وشەکان:

myth, sacred place, sacred time, Bakhtiar Ali, the city of white musicians, Parwana’s sunset, the last pomegranate in the world.

پوختە

The sacred time and sacred place are one of the most widely used concepts in the mythological world. These two concepts have long preoccupied the human mind to an extent that we find them in contemporary fiction today. It is as if the sacred time and sacred place have opened the way into modern novels from the mythical world and are re-emerged with a different perspective.

Bakhtiar Ali is one of the writers who has repeatedly used these concepts in the labyrinth of his novels and illustrated them alongside other modern elements and concepts. The present article attempts to study why and how these two concepts are used in the novels (the City of White Musicians,  Parwana’s sunset and The Last Pomegranate of the World.)

داگرتنەکان

هێشتا داتای داگرتن بەردەست نییە.

چۆنییەتی بەکارهێنانی سەرچاوە

Hussein, Sana Hassan, trans. 2025. “Myth, Sacred Place, Sacred Time, Bakhtiar Ali, the City of White Musicians, parwana’s Sunset, the Last Pomegranate in the World”. گۆڤاری توێژەر 3 (2): 721-55. https://doi.org/10.31918/twejer.2032.16.

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